The Constituent Trope Structure of the Omegaverse

It is not uncommon for genres to have a mix of those who are fans of it and those who are not fans of it.  The Omegaverse is not unique in this regard.  However, what is unique seems to be just how vehemently opposed to the genre those who are not fans of it can get.  The dislike seems to transcend the philosophy of “Don’t Like; Don’t Read,” and many of those who are not into the genre actively rail against it.  The deeper I dug into why this might be, the more it became obvious that the Omegaverse is far more complicated than it initially appears, but it is that complicated nature that produces such vehement dislike as a byproduct.

Continue reading “The Constituent Trope Structure of the Omegaverse”

The Use of Panel Transitions and Shot Type in Comics

It is said that a picture is worth a thousand words.  So, it naturally follows that four panels of a comic would convey the same information as roughly four thousand words of a story.  However, no excerpt of that length would spend the entire time describing a single static situation.  The story must transition from one segment to another.  Comics must also transition from one segment to another.  The Weekly Roll and Looking for Group both demonstrate a variety of techniques used to transition from one panel to another.

Continue reading “The Use of Panel Transitions and Shot Type in Comics”

Daniel’s Eggs

            I love my brother.  I really do.  But I would be remiss in my duties as an older brother if I did not make a reasonable effort to embarrass him as publicly as possible.  I could tell the story of the time he accidentally fell out of a tree while trying to jump from one branch to another (he claims he wasn’t).  I could tell the story of the time he accidentally broke his arm while trying to impress his girlfriend (he claims he wasn’t).  Instead, I will tell the story of the time he accidentally made scrambled eggs while trying to make brownies (he offers no defense).

Continue reading “Daniel’s Eggs”